Celebrating Heroes: American Mural Studies of the 1930s and 1940s from the Steven and Susan Hirsch Collection. Frances Lehman Loeb Art Center, September 2-December 18, 2016.
EXHIBITION: When Light Touches Paper. Artists' Books and other works by Barbara Beisinghoff. Vassar College Art Library Reading Room & Project Gallery, Frances Lehman Loeb Art Center. September 29-October 16, 2016. Opening Reception Thursday, September 29, 5:00 p.m., FLLAC Sculpture Garden.
SYMPOSIUM. As part of the Creative Arts Across the Disciplines (CAAD) program, Barbara Beisinghoff will be in residence at Vassar from 19 Sept to 14 Oct. Panel discussion with Barbara Beisinghoff, Werner Pfeiffer, Tatana Keller, Ann Kalmbach, Ron Patkus: October 11, 2016, 5:30 p.m., Class of 1951 Reading Room, Main Library.
The Vassar College Art Library is a rare example of a complete modernist interior from the pre-World War II period in the United States. Built in 1937, the interior was designed by John McAndrew, an architect as well as educator, who taught architectural history and drafting in the Vassar College Department of Art from 1931 to 1937.
The clarity, openness, and textured warmth of the space is in keeping with the American or what McAndrew termed a "naturalized" version of the machine aesthetic, which he would go on to promote in his role as Curator of the Department of Architecture at the Museum of Modern Art between 1937 and 1942. The design also shares elements of the streamline style of Raymond Loewy and Norman Bel Geddes. McAndrew's Art Department colleagues referred to this dynamic and forward-looking space as the expression of a new functionalism in architecture.
As a learning environment it was exactly that, an elegantly-crafted machine in which every surface, volume, and design element was shaped and illuminated for the efficient appropriation of a knowledge of the history of art through group and individual study. McAndrew's space has now been carefully renovated to recover its original function through the introduction of new visualization technologies as well as through a restoration of the original interior on designs by another architect/educator, the late Paul Spencer Byard, and his partner Charles A. Platt, of the New York-based firm of Platt Byard Dovell White. To view a slideshow of the original space as it appeared in 1937, follow this link.
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